Showing posts with label Symphonic. Show all posts
Showing posts with label Symphonic. Show all posts

Sunday, July 3, 2011

Raff - Symphonies · Suites · Overtures - Schneider & Friedmann

 


 

 

 

 

Review:

Naxos appear to have followed the lead of Tudor and produced a box set bringing together all 11 symphonies and some of the smaller orchestral works. As well as the symphonies, the "set" feature two of the Shakespeare Preludes: Macbeth and Romeo & Juliet, the Concert, Jubilee, Dame Kobold and Ein feste Burg ist unser Gott Overtures and the Fest-Marsch. The recordings are superb. From the first symphony to the last, this neglected romantic repertoire is very well presented here. Urs Schneider and the Slovak State Philharmonic along with Samuel Friedmann and the Rhenish Philharmonic are brilliant. They offer very Joachim Raff dynamic performances and the sound recording by Marco Polo is a pure delight. Raff's orchestral writing will remind you mainly of Mendelssohn, but his own musical personality is very present. The last 4 symphonies refers to the 4 seasons with all the panache and orchestral pageantry one would expect from a romantic composer. This boxed set offers many hours of elegant, well written and well recorded romantic symphonic works.

 

flac, booklets, thank you Martin!

Sunday, June 12, 2011

Joachim Raff - Symphonies · Suites · Overtures - Stadlmair, Bamberger Symphoniker


Review:

Many of Raff’s orchestral works have been recorded and both the Swiss company Tudor and a decade before that Marco Polo (now fitfully migrating to Naxos) have made major inroads into the Raff discography. We may know Raff's name for a variety of one-off reasons. Some will recall his winsome piece for piano and orchestra La Fileuse. His Kavatina op. 85 no. 3 kept his name alive when it seemed that all his work would fall away to dust, pulping and landfill. Others may remember that Bernard Herrmann's taste for engaging rarities ran toJoachim Raff recording Raff's Fifth Symphony Lenore - the Fuselli Gothic cover of the Unicorn LP will probably come to mind. Then again others, especially Lisztians, will remember that Liszt left the task of orchestrating his tone poems to Raff. Perhaps a few will know of the Candide Vox LP of the Third Symphony Der Wald.
Tudor, over a period of three years, recorded the eleven symphonies with a single orchestra and conductor and at a single venue. In this they were pioneers; the earlier project by Marco Polo used a mix of orchestras, conductors and venues. The financial support of Stiftung Dr Robert und Lina Thyll-Dürr was crucial to Tudor’s admirable and needful enterprise. Nor have Tudor stopped there. The Zürich-based company’s catalogue is laced with CDs of Raff’s concertos, other tone poems, violin sonatas and string quartets. The present well designed and space-saving box has the nine discs each in a hard card sleeve designed to match the individual CDs and setting out full track contents on the reverse. As for the program notes, these are in a 127 page booklet in German, English and French. No need to fiddle around with a CD-ROM.

flac, full artwork, thank you Martin!

Tuesday, May 24, 2011

Brahms - The Complete Symphonies - Sawallisch, Wiener Symphoniker

 


 

 

 

 

Review:

Wolfgang Sawallisch, active as a conductor since 1947 he is now - at the age of 86 - very much an elder statesman of music and something of a legend in Philadelphia, with whose fine orchestra he spent his autumn years from 1993 to 2003. More to the point he is actually one of the twentieth century's supreme interpreters of Schumann, Bruckner and Richard Strauss, in many ways comparable to Günter Wand, whose sense for musical truth he always shared. Oddly enough his recordings of the Brahms symphonies (this one, and the one he made for EMI from 1989 to 1991 as well) have never been awarded any serious attention, an oversight I hereby hasten to remedy.

image Though always performing in the shadow of their cousins in the "Philharmonic" the Vienna Symphony is a fine orchestra, and in these inspired performances Sawallisch literally has every man jack playing fit to bleed from the cuticles. Though tempi are never rushed there is an intensity to every movement of these masterpieces that I have rarely encountered before or since, and the finale of the E minor symphony in particular takes us to dramatic heights that I think would have made even Furtwängler proud. The same is very much true for the finale of the D major symphony - played perfectly "molto ben marcato", and rivaled only by Takashi Asahina in his live recording, made when he was almost 90! - which rips open the indolence of that often rather leisurely pastoral work, letting fresh air sweep through every room.

The sound of these Philips re-mastering is very good and though the recording, true to its origins in the early 60's, is fairly closely recorded, is never too much. The various instrument sections are remarkably well defined.

 

flac, scans

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