Dimitri Mitropoulos - Great Conductors 20th Century 2CD

From start to finish, this is a superb Mahler 6 by Mitropoulos. And, the recording lets you hear every note, which is generally a plus with one exception---the sometimes less than accurate playing of the principal hornist of the Cologne Radio Symphony Orchestra. Neverthelesss, this does not prevent Mitropoulos' stunning performance from making every point that needs to be made. Phrasing and emotional impact come across in truly revealing fashion. For example, in the first movement, despite a relatively close sound perspective, Mitropoulos is still able to make the supposed quieter mysterious moments sound effectively mysterious. In the second movement, he is exceptionally convincing in the grotesque passages. In fact, in situations like this with Mahler, I don't know that I've heard any conductor do better. Moreover, this IS the best interpreted scherzo of the Sixth I have ever heard....

Dimitri Mitropoulos

18 February 1896 – 2 November 1960, was a Greek conductor, pianist, and composer.

Mitropoulos was born in Athens, the son of Yannis and Angeliki Mitropoulos. His father owned a leather goods shop at No. 15, St Marks Street. He was musically precocious, demonstrating his abilities at an early age. From the ages of eleven to fourteen, when Mitropoulos was in secondary school, he would host and preside over informal musical gatherings at his house every Saturday afternoon. His earliest acknowledged composition - a sonata for violin and piano, now lost - dates from this period.

He studied music at the Athens Conservatoire as well as in Brussels and Berlin, with Ferruccio Busoni among his teachers. From 1921 to 1925 he assisted Erich Kleiber at the Berlin State Opera and then took a number of posts in Greece. At a 1930 concert with the Berlin Philharmonic, he played the solo part of Prokofiev's Piano Concerto No. 3 and conducted the orchestra from the keyboard, becoming one of the first modern musicians to do so.

Mitropoulos made his U.S. debut in 1936 with the Boston Symphony Orchestra, and he later settled in the country, becoming a naturalized citizen of the United States in 1946. From 1937 to 1949, he served as the principal conductor of the Minneapolis Symphony Orchestra (now known as the Minnesota Orchestra).

In 1949 Mitropoulos began his association with the New York Philharmonic, the peak of his orchestral career. He was initially co-conductor with Leopold Stokowski, and became the sole music director in 1951. Mitropoulos recorded extensively with the Philharmonic for Columbia Records and sought to reach new audiences through appearances on television and conducting a week of performances at the Roxy Theatre, a popular movie theatre in New York. Mitropoulos expanded the Philharmonic's repertoire, commissioning works by new composers and championing the symphonies of Gustav Mahler. In 1957 he was succeeded as the Philharmonic's conductor by a protégé, Leonard Bernstein.

In addition to his orchestral career, Mitropoulos was an equally important force in the operatic repertoire. He conducted opera extensively in Italy and from 1954 until his death in 1960 was the principal conductor of the Metropolitan Opera in New York, although the Met did not officially use that title at the time. His musically incisive and dramatically vivid performances of Puccini, Verdi, Richard Strauss and others remain models of the opera conductor's art. The Met's extensive archive of recorded broadcasts preserves many of these fine performances.

Mitropoulos's series of recordings for Columbia Records with the New York Philharmonic included a rare complete performance of Alban Berg's Wozzeck. Many of these have been reissued by Sony Classics on CD, including most recently his stereo recordings of excerpts from Prokofiev's Romeo and Juliet. For RCA he recorded with the Minneapolis Symphony during the 78-rpm era. He was also represented on the Cetra label, most notably with an early recording of Richard Strauss's Elektra.

He was noted for having a photographic memory (which enabled him to conduct without a score, even during rehearsals) and for his monk-like life style due to his deeply religious, Greek Orthodox beliefs.

Mitropoulos never married. He was "quietly known to be homosexual" and "felt no need for a cosmetic marriage". Among his relationships reportedly was one with Leonard Bernstein.

He died in Milan, Italy at the age of 64, while rehearsing Gustav Mahler's 3rd Symphony. One of his very last recorded performances was Verdi's La forza del destino with Giuseppe Di Stefano, Antonietta Stella and Ettore Bastianini at Vienna on 23 September 1960. A recording exists of the performance of Mahler's 3rd Symphony given by Mitropoulos with the Cologne Radio Symphony on 31 October 1960, just two days before his death.From Wikipedia, the free encyclopedia


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