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Review:
This is the Schoenberg-Riehn chamber - *not* Mahler's original orchestral - version of DLvdE. So for example, a piano replaces much of the original percussion instruments like funereal tam-tams in Der Abschied. Everything in the original is shorn down here and the transparency of the work becomes even more evident. Minimalist, almost anti-thetical to Mahler's "a symphony should be like the world" idea. No matter! - it's brilliantly played by Herreweghe & co., and Remmert and Blochwitz are amongst the best DLvdE singers to my ears. Schoenberg's re-orchestration has brought the orchestra to an intimacy and immediacy that marvelously matches and compliments the voices. |
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Iâve been into blogging for quite some time and this is definitely a great post.Cheers!
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Thank you!
ReplyDeleteThanks so much for this beautiful piece!
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