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Review:
Although these are zestful, musically satisfying performances of mostly Mozart, I suppose the real news here is the instrument: the so-called Stein Vis-à-vis, built by Johann Andreas Stein in 1777. I’ll admit I never heard of it before. It was a kind of mutant, a three-manual harpsichord at one end and at the other a fortepiano with what our scholarly annotator calls a “moderator” stop. The two keyboardists face each other. Honestly, I don’t know why one wouldn’t just buy two separate instruments. To my perhaps too conservative mind, this sounds like a goofy idea, but in practice, as in the German Dances I am listening to right now, the sound is not usually jarring, especially when the two halves of the |
flac, scans |
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